{"id":57,"date":"2008-07-01T17:20:15","date_gmt":"2008-07-01T15:20:15","guid":{"rendered":"http:\/\/cameracartell.com\/wp\/?page_id=57"},"modified":"2012-06-20T20:03:27","modified_gmt":"2012-06-20T18:03:27","slug":"discourse","status":"publish","type":"page","link":"https:\/\/cameracartell.com\/wp\/?page_id=57","title":{"rendered":"text &#038; discourse"},"content":{"rendered":"<p><strong><span style=\"color: #3366ff;\"><em>Ein Buchtipp von Cameracartell \/\/ 2012:<\/em><\/span><\/strong><\/p>\n<p><strong><em>Film und Kunst nach dem Kino <\/em><\/strong><\/p>\n<p><em><strong> <\/strong>von Lars Lars Henrik Gass<\/em><\/p>\n<p><em>NEU erschienen bei <\/em><a title=\"Philo Fine Arts\" href=\"http:\/\/www.philo-fine-arts.de\/programm\/cat\/gass-lars-henrik\/buch\/film-und-kunst-nach-dem-kino.html\" target=\"_blank\"><em>Philo Fine Arts<\/em><\/a><\/p>\n<p>________________________________________________<\/p>\n<p>We invited authors and writers to publish articles about media art,<\/p>\n<p>experimental film and audiovisual art to open up the discoursive field.<\/p>\n<p><a class=\"alignleft\" href=\"http:\/\/cameracartell.com\/wp\/?p=77\" target=\"_blank\">&#8222;The label videoart&#8220; <\/a>by stefanie sarah lauke<br \/>\n<a class=\"alignleft\" href=\"http:\/\/cameracartell.com\/wp\/?p=18\" target=\"_blank\"><span class=\"alignleft\"> &#8222;Between Audio and Image&#8220;<\/span> <\/a>by fabienne lorenz<\/p>\n<p>________________________________________________<br \/>\n<span style=\"color: #ff00ff;\"> <\/span><\/p>\n<p><span style=\"color: #ff00ff;\">We recorded and archive cameracartell discussions on DV:<\/span><br \/>\n<strong>Videodiskurs mit cc Mitgliedern und G\u00e4sten<br \/>\nvideodiscourse with cc member and guests<\/strong><\/p>\n<p><span style=\"font-weight: normal;\"><span style=\"color: #00ffff;\"><strong>discourse IV<\/strong><\/span><\/span><br \/>\n<em><strong>Farida Heuck<\/strong><\/em><em><strong> und <\/strong><\/em><em><strong>Jae-Hyun Yoo\u00a0in cooperation with cameracartell, <\/strong><\/em><br \/>\n<em><strong>during the exhibition &#8222;Von dritten R\u00e4umen\/ about third spaces&#8220;, Kunsthaus Hamburg<\/strong><\/em><br \/>\nWhich function has a border area beside enforcement of \u00a0seperation? \u00a0Talk and Discussion about the example North and South Corea and the film and art projects of Farida Heuk and Jae-Hyn Yoo about this border area.<br \/>\nMarch 2010<\/p>\n<p><span style=\"color: #33cccc;\"><strong>videodiskurs III \/ discourse III<\/strong><\/span><br \/>\nabout absence and presence of the artist in his films\/ artworks<br \/>\nwith Nicholas Matranga and Samo Tomsic<br \/>\nHedah, Center of contemporary Art and Jan van Eyck Academy, Maastricht<br \/>\nMai 2009<br \/>\n59 Minutes, HDV<\/p>\n<p><span style=\"color: #33cccc;\"><strong>videodiskurs II \/ discourse II<\/strong><\/span><br \/>\nabout Film and Videoart<br \/>\nPeter Greenaway and his concept of film<br \/>\ncontent and form, David Lynch and Inland Empire<br \/>\nwith Julie Damkjaer and Sturla Brandth Grovlen<br \/>\nJuli 2008<br \/>\n59 Minutes, DV-PAL<\/p>\n<p><span style=\"color: #33cccc;\"><strong>videodiskurs I \/videodiscourse I<\/strong><\/span><br \/>\nabout Networks, Cashgroups,<br \/>\nFriendship and digital swingerclubs<br \/>\nwith Wolfgang F\u00fctterer, Marte Kiessling and Vanessa Nica Mueller<br \/>\nMai 2008<br \/>\n54 Minutes, DV-PAL<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/cameracartell.com\/wp\/wp-content\/uploads\/2009\/11\/filmstill-from-diskursi-kl.jpg\" alt=\"\" width=\"472\" height=\"368\" \/><\/p>\n<p><strong><br \/>\n<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Ein Buchtipp von Cameracartell \/\/ 2012: Film und Kunst nach dem Kino von Lars Lars Henrik Gass NEU erschienen bei Philo Fine Arts ________________________________________________ We invited authors and writers to publish articles about media art, experimental film and audiovisual art to open up the discoursive field. &#8222;The label videoart&#8220; by stefanie sarah lauke &#8222;Between Audio [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":4,"comment_status":"closed","ping_status":"open","template":"","meta":{"footnotes":""},"_links":{"self":[{"href":"https:\/\/cameracartell.com\/wp\/index.php?rest_route=\/wp\/v2\/pages\/57"}],"collection":[{"href":"https:\/\/cameracartell.com\/wp\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/cameracartell.com\/wp\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/cameracartell.com\/wp\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/cameracartell.com\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=57"}],"version-history":[{"count":5,"href":"https:\/\/cameracartell.com\/wp\/index.php?rest_route=\/wp\/v2\/pages\/57\/revisions"}],"predecessor-version":[{"id":384,"href":"https:\/\/cameracartell.com\/wp\/index.php?rest_route=\/wp\/v2\/pages\/57\/revisions\/384"}],"wp:attachment":[{"href":"https:\/\/cameracartell.com\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=57"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}