{"id":128,"date":"2009-11-18T15:48:32","date_gmt":"2009-11-18T13:48:32","guid":{"rendered":"http:\/\/cameracartell.com\/wp\/?p=128"},"modified":"2012-08-09T19:27:33","modified_gmt":"2012-08-09T17:27:33","slug":"talk","status":"publish","type":"post","link":"https:\/\/cameracartell.com\/wp\/?p=128","title":{"rendered":"Hedah &#8211; Center of contemporary Art, Maastricht"},"content":{"rendered":"<div><a href=\"http:\/\/cameracartell.com\/wp\/wp-content\/uploads\/2009\/10\/videodiskurs-iii-cameracartell-kopie.jpg\"><img decoding=\"async\" class=\"alignnone size-full wp-image-130\" title=\"videodiskurs-iii-cameracartell-kopie\" src=\"http:\/\/cameracartell.com\/wp\/wp-content\/uploads\/2009\/10\/videodiskurs-iii-cameracartell-kopie.jpg\" alt=\"\" \/><\/a><\/div>\n<p>with invited guests Nicolas Matranga and Samo Tomsic (moderation by: Vanessa Nica Mueller)<\/p>\n<p>chapter: using aspects of personal history in art works or not ?<\/p>\n<p>audio-sequence, 03.05 minutes:<\/p>\n<p><a href=\"http:\/\/cameracartell.com\/wp\/wp-content\/uploads\/2009\/10\/talk-maastricht-thepersonal.mov\"><object classid=\"clsid:02bf25d5-8c17-4b23-bc80-d3488abddc6b\" width=\"200\" height=\"50\" codebase=\"http:\/\/www.apple.com\/qtactivex\/qtplugin.cab#version=6,0,2,0\"><param name=\"src\" value=\"http:\/\/cameracartell.com\/wp\/wp-content\/uploads\/2009\/10\/talk-maastricht-thepersonal.mov\" \/><embed type=\"video\/quicktime\" width=\"200\" height=\"50\" src=\"http:\/\/cameracartell.com\/wp\/wp-content\/uploads\/2009\/10\/talk-maastricht-thepersonal.mov\"><\/embed><\/object><\/a><\/p>\n<p><span style=\"color: #33cccc;\"><strong>discourse III<\/strong><\/span><br \/>\nabout absence and presence of the artist in his\/her films<br \/>\nHedah, Center of contemporary Art and Jan van Eyck Academy, Maastricht<br \/>\nMai 2009, 59 Minutes, HDV<\/p>\n","protected":false},"excerpt":{"rendered":"<p>with invited guests Nicolas Matranga and Samo Tomsic (moderation by: Vanessa Nica Mueller) chapter: using aspects of personal history in art works or not ? audio-sequence, 03.05 minutes: discourse III about absence and presence of the artist in his\/her films Hedah, Center of contemporary Art and Jan van Eyck Academy, Maastricht Mai 2009, 59 Minutes, [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[],"_links":{"self":[{"href":"https:\/\/cameracartell.com\/wp\/index.php?rest_route=\/wp\/v2\/posts\/128"}],"collection":[{"href":"https:\/\/cameracartell.com\/wp\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/cameracartell.com\/wp\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/cameracartell.com\/wp\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/cameracartell.com\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=128"}],"version-history":[{"count":7,"href":"https:\/\/cameracartell.com\/wp\/index.php?rest_route=\/wp\/v2\/posts\/128\/revisions"}],"predecessor-version":[{"id":203,"href":"https:\/\/cameracartell.com\/wp\/index.php?rest_route=\/wp\/v2\/posts\/128\/revisions\/203"}],"wp:attachment":[{"href":"https:\/\/cameracartell.com\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=128"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/cameracartell.com\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=128"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/cameracartell.com\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=128"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}